
Opening night, Oct. 17, 2017, which the Warriors lost to Houston by 1, but they were champions again by June 2018. Curry has just released a 3-pointer.
We are living the glory days of the Golden State Warriors, going to the NBA Finals for the last four years and winning three of them, setting the single season record of 73-9, changing the nature of the game with their long-range marksmanship, unselfish sharing and dynamic flow, and a sustained defensive excellence. This burst of virtuosity on the basketball court has deep roots even it sometimes feels like it emerged suddenly as if from “nowhere.” There is a fascinating decades-long history in which predominantly African American players invented the physicality and creativity that we enjoy so much among stars like Steph Curry and Kevin Durant. Just as vital to the Warriors success is the extraordinary and infectious defensive talents of Draymond Green, skills based on breakthroughs developed by black roommates at the University of San Francisco in the mid-1950s. The “Strength in Numbers” marketing slogan derives from the Warriors’ actual practice of regularly getting all their players into the game, but has come to exemplify a collective, all-hands-on-deck approach that hints at the horizontalist egalitarian politics of Bay Area political movements, too.
It’s worth remembering that their graceful and scintillating game is itself not such a departure from a longer history of NBA basketball. An early Warriors coach Bill Sharman played for the Boston Celtics in 1959-60, a year when the old-school, defensive-minded Celtics scored an average of 124.5 points per game (without any 3-point line to pad the score). The Warriors led the league in 2016-17 at 115.9 points per game. This is partly because of greater athleticism and more complicated defensive schemes that are used now, but the speedy, pass-oriented offense of the Warriors is itself a throwback to the best years of the early NBA. A couple of decades of superstar-focused, grinding isolation offense finally gave way to the uptempo passing game of this era, and to be sure it all feels new again.
The current Warriors are still a shocking departure from decades of mediocrity and failure for us long-suffering fans. But their stellar qualities—relentless defense, improvisationally brilliant team and individual offense, charismatic and politically outspoken stars—all have long pedigrees rooted in Bay Area, basketball, and sports history. Regular readers may wonder why I am writing about sports at all, given the common antipathy to the fully commodified entertainment industry that harbors pro sports along with music, movies, and everything else in our culture. Long-time sportswriter Robert Lipsyte wrote a seminal book in the mid-1970s called Sportsworld: An American Dreamland in which towards the end he captured my sentiment perfectly: “The joy of sport is as real and accessible as the joy of sex; and both have been distorted and commercialized to make us consume and conform.” This reading and presentation of a particular line through history is meant to undergird my ongoing joy and fascination, but also to reinforce the reality that there is much more to this than simply “buying in” to the hype. Similar to how we can give some of Hollywood’s worst output meanings that weren’t necessarily intended or planned for, we can reappropriate and redefine the meaning of our engagement with sports, athletes, and the political world they increasingly intersect.

Draymond Green, the defensive soul of the Warriors… very disappointed when he let himself be used for an Israeli Defense Force photo-op in summer 2018.

Steph Curry, the two-time MVP and perhaps the best long-range shooter in the history of the game.
A necessary prologue to our story is to acknowledge the earliest black basketball pioneers. Harlem’s Alpha Physical Culture Club sponsored the first Black Five, who played in New York City from 1904-1923 against other “black fives” from other athletic clubs in that era. Interestingly, the commitment to early basketball developed among West Indian immigrants in New York who brought the rigidly conservative philosophy of Caribbean sporting culture they’d learned in childhood. Building on the skills developed during these formative years, the New York Harlem Renaissance Big Five, aka the New York Rens, became the best known team of black basketball players, while other teams proliferated by the late 1930s too: Chicago Crusaders, Ciralsky Meat Packers, Philadelphia Tribunes, Cleveland Pennzoils, Chicago Studebakers, Harlem Globetrotters, Washington Bears, and others. After the Rens won the first World Professional Basketball Tournament in 1939 in New York, and the Globetrotters won the subsequent championship in 1940, it belied any claims to superior skills by white players a decade before the formal integration of professional basketball began.
The NBA’s first black players hit the court in 1950, during the second season of the newly formed league, just four years after Jackie Robinson joined baseball’s Brooklyn Dodgers to break segregation in Major League Baseball. Earl Lloyd, Chuck Cooper, and Sweetwater Clifton all played blue-collar roles—rebounding and defending—that first year. During the 1950s, a steady trickle of black players entered the league, but it wasn’t until the arrival of Bill Russell with the Boston Celtics in 1956-57 and Elgin Baylor with the Minneapolis Lakers in 1958 that the boundaries of the game itself noticeably began to shift. We’ll pick up this part of the story in a bit, but first let’s fill in the story that shaped the Bay Area’s love of basketball, gave it an outsized role in the desegregation of the sport, and an even larger role in the long-term revolt of black athletes against the exploitative conditions they were forced to labor under before unionization and free agency.
The NBA’s first African-American all-star was Oakland’s own Don Barksdale, who only played four seasons before injuries ended his career after the 1954-55 season. Barksdale, a Berkeley native, while a boy during the 1930s attended meetings of his father’s union—the Brotherhood of Sleeping Car Porters—and was strongly influenced by its leaders, A. Philip Randolph and C.L. Dellums. A lanky forward, his best years were during and after WWII when he played for the Amateur Athletic Union (AAU)’s Oakland Bittners. He was also a star on the 1948 Olympic team, where during an intrasquad exhibition match on the University of Kentucky campus in Lexington, he broke the Jim Crow color line during a time-out. (The practice match was held to raise money for the Olympic team, but famously racist Kentucky coach Adolph Rupp tried to ban Barksdale from playing. When Barksdale’s coach and teammates threatened to cancel the game, and lose all that important revenue, Rupp grudgingly relented.)
As told by Ron Thomas in his groundbreaking book They Cleared the Lane: The NBA’s Black Pioneers, the Olympic intrasquad game was finally held before 14,000 fans on an outdoor field. During the game, eventually won by Barksdale’s side after a great performance by him, a timeout hushed the fans. A water bucket was brought to the players and a bottle was passed around each huddle. In Lexington, Kentucky in 1948 there was strict segregation including water fountains. When the bottle came to Barksdale he almost turned away but went ahead and had his drink. He passed the bottle on to a gangly white guy from Arkansas who took the bottle and had his drink, rather than tossing the bottle away and reinforcing the Jim Crow rules. The entire audience had been raucous, then dead silent while this took place, and then resumed chattering afterwards, as small actions such as this were still achingly important in those apartheid-like times. A pre-game death threat led to Barksdale fearing for his life during and after the game.

Berkeley’s Don Barksdale, the first African American all-star in the NBA.
A year later, back in the Bay Area, a different kind of transgression took place as a commercial venture staged by Frank “Bow Tie” Walsh, a man who “could sell a refrigerator at the North Pole,” according to his wife. Walsh discovered San Francisco’s then-new Cow Palace as a great place to host basketball in 1947, and by 1949 saw a great opportunity. Walsh was friends with Abe Saperstein, the owner of the Harlem Globetrotters (a man who thought he had a proprietary right to all black basketball talent—early NBA owners were afraid to buck him since they depended on doubleheaders with the popular Globetrotters to fill the arenas in a time of low attendance), and thus was very aware of the talent in black college basketball. Knowing that the pre-eminent national tournament then (the NIT) refused to allow black college teams, Walsh invited the best black college team in the nation, West Virginia State College, to play against several of the best teams on the West Coast.
The St. Mary’s Gaels defeated the West Virginia State College Yellow Jackets at the Cow Palace during that first-ever match between a white and black team on the West Coast. It was headline news in the San Francisco Chronicle’s sports pages. Local sports coverage in that era gave as much or more attention to college as professional sports. The professional teams that became the NBA in 1949 were all clustered in the east from Washington to Boston, and from Detroit to St. Louis in the midwest, but the sport was barely a blip in national consciousness. The USF Dons won the NIT in 1949 before a point-shaving scandal tarnished the tournament in 1950. As the NCAA rose to prominence, Bay Area fans were primed for another local team to make a national splash. When the USF Dons became a national power in the 1954-55 season, the entire Bay Area, no more than a quarter of its current size, rallied behind the team, having already watched the new phenom, center Bill Russell, dominate his opponents during his freshman and sophomore years.
Bill Russell was born in Louisiana and moved to the Bay Area as a 9-year-old, landing in Oakland. After a relatively undistinguished high school career at West Oakland’s McClymonds High School his growing height and jumping ability attracted USF coach Phil Woolpert’s attention and he was offered a scholarship. (Incredibly, while Russell played basketball at McClymonds, future baseball stars Frank Robinson, Vada Pinson, and Curt Flood all played outfield there. Two of them would be vital contributors to advancing desegregation and the rights of all athletes in the years ahead: Frank Robinson eventually became the first black manager in baseball in 1975 after a Hall of Fame career, and Curt Flood’s refusal of a trade in 1969 led to a US Supreme Court challenge to the “reserve clause” that kept players under the control of teams for life irrespective of contracts; though Flood lost his case, his challenge is recognized as a vital blow to the system that soon unraveled and led to free agency in baseball and other pro sports.)

How do we break free of the daily trauma and stupidity of contemporary politics? How do we go beyond the arduous defensive struggles that keep so many preoccupied with police violence, racist abuses, toxic masculinity, and the grinding poverty that is slowly consuming more and more of our neighbors?
These ideas, far from complete and open to expansion in so many directions, are all meant to expand San Francisco’s Common Wealth.


















