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Notes on a Mediocrity-Free Zone

The Last Poets performed Sunday night at The Punch Gallery. “If Only We Knew”¦ What We Could Do!” they sang, and so much more, “America is a Terrorist” and “Madness.” For such agile legends it’s remarkable to feel that they were merely the punch-line to a long night of stellar performances. As the scintillating MC of the evening put it, “This is a Mediocrity-Free Zone!!” I confess my lameness to not be able to name most of the poets, nor quote their absolutely stunning, moving poetry. I am not one to get easily moved by spoken word, so let me tell you that these folks are on another plane altogether! The organizing force behind the event is Youth Speaks, an organization that has been going for a number of years, and whom my daughter Francesca told me about some time ago. You simply MUST check them out.

The night began with 16-year-old Dahlak Braithwaite, who did a piece that left us speechless. His last line, after going through a long story about a friend of his “˜B’ who was going to Iraq, and how the war didn’t mean much until it hit home, and that nothing really breaks through the surreality of reality TV until it really hits home, and that Bush is the easy name (so many raps have gone after the easy target Bush) but in conclusion he could not help but notice that in the middle of Bush is “us””¦ The lyricism and rhyming, the amazing looping and dancing lines, the layers of thought piled one upon the next, but never losing a sparkling clarity. It made me feel like we should all just tip our caps and step aside. It’s time for us to stop all our familiar denunciations of the status quo, our urgent attempts to wrap up a deeper and more useful political analysis, and give the floor to these brilliant voices.

Ise Lyfe came hours later (these two are mentioned by name in the Youth Speaks newsletter, or I’d have lost them too), afro sprawling above his shoulders as he calmly and with increasing ferocity laid out his words. Not only did he start and end with the simple objective fact that people of European descent are killing those of African descent, but the vast middle zone of his soliloquy was dedicated to the co-optation of “˜nigga’ culture by all the engines of mass culture, fueled in no small part by the active participation of the black community itself, cajoling and coercing itself into the endless pursuit of the empty baubles of fake wealth. He was awesome.

So many memories colliding in my head as I try to report small parts of it. Another guy, apparently a well-known MC whose name I missed, hilariously told the story of the Rodney King riots in San Francisco back in ’92, starting with protesting earth activists and tie-dyed hippies at City Hall chanting “No Justice, No Peace.” After a march downtown the rioters were augmented and mostly replaced by residents of the Tenderloin for the intensive looting of the stores around Market and Stockton (which I witnessed too), a worthy companion to the widely disseminated footage of the looting in Los Angeles, a veritable proletarian holiday in both of California’s major urban centers. That looting spree in SF far exceeded anything that happened in 1979 or any other protest or riot in memory. He told the story with great verve and many funny asides, finally taking us in to Wilson’s House of Leather and making a harrowing escape from other looters AND the police with a new leather bag stuffed with a new leather coat (he’d had to go into the back to find something he thought worth taking!). And rhyming and rapping throughout this basically straight narrative exposition.

I was deeply moved so many times in just three hours. I really wish this kind of oratory was more widely distributed, that people could hear this on the radio, on talk shows for chrissakes. This is talking times a million!

The other tidbit I want to share about the night was the beautiful diversity of the crowd. Everyone’s always talking about diversity and it usually seems like a thinly veiled version of what I tend to refer to as “laundry list-ism”. I really hate the crass tokenism we’re so often plagued with. But the Youth Speaks show last night was attended by the most diverse crowd I can ever remember being a part of, racially, gender- and age-wise. There was an amazing amount of love in the room, if I can be indulged a moment of unbearable squishiness. The only other venue I’m personally aware of that had anything approaching this show’s diversity was Jimbo’s Bop City back in the early 1960s in the old Fillmore district.

This is fertile ground indeed. These poets and rappers really get it. They get it way better than I do, or most anyone I know. But really, we all bring something to the moment, and hearing these voices made me realize how much stronger and more numerous we are than we sometimes believe. And that there is a mighty powerful younger generation that’s going to bowl us over! Shit, it already IS bowling us over! Yeehah!

P.S. At the California Historical Society at 3rd and Mission, the Poetry Center at SFSU is celebrating its half-century anniversary with a series of talks and performances. This past Saturday featured David Meltzer and George Herms, sharing anecdotes, a very jocular repartee and a great number of sweet, funny and lyrical poems. This was by far my most poetry-saturated weekend ever!

George Herms tossed crumpled poems into the audience after he read them. Here’s one I caught:
The hot brown drops
in jubilation we cheer
the coffee pot works
Russ Rose

And to top it all off (out of chronological order, of course), our CounterPulse dance floor benefit Saturday night was a resounding success, raising us over $7K (almost a third of the cost of the new floor) and treating all of us to a brilliant night of dance from 11 different troupes. We sold out and then some, and I’m just sorry we can’t do the same thing about 4 more times! It was a fantastic show.

Winners!

A title like that doesn’t usually get my interest, but by odd serendipity I was called by a publicist for Eric Martin’s new novel and asked to speak for 5 minutes before a couple of his upcoming bookstore gigs to introduce the historical context of his book. OK, I agreed without reading the book or knowing anything about it. Probably a bad idea, but luckily I got away with it because this is a very interesting read.

Winners tells the story of Shane McCarthy, a 30-something guy in San Francisco during the dot-com boom. He’s on the periphery of the boom through his wife Lou who is an up-and-coming start-up entrepreneur, but Martin smartly shows how her ambition is destroying their marriage. Shane cleans chimneys, having taken over his father’s business; he is a son of the Sunset district, a lapsed Catholic Irish, one of four brothers.

I won’t go on too long about what happens in this book, because I think you’ll probably want to read it. It’s a quick and breezy read, but a page-turner for long stretches as the city we know” and the recent mass delusion that gripped it” set the stage for an achingly familiar human tale. Basketball is a running component of the story, not spectator professional basketball (esp. around here!) but street basketball, a game that has gone on for many years at a specific outdoor court, and the characters that play the game and share larger or smaller bits of their lives.

We live in an enormously segregated society. Even San Francisco feels that way most of the time. In Winners that segregation is carefully exposed and the cultural chasm it causes is traversed in halting and contradictory ways. This is where the book shines most brightly for me. Its frank treatment of racism as a structural fact of San Franciscan life, juxtaposed to the gentrifying tsunami of the dot-com boom, shows that Martin is willing to touch on something a lot deeper than the usual self-flattering puffery that young white men tend to write.

Also, I played street basketball as a young adolescent in Oakland, so a lot of the banter and camaraderie he captures so well in Winners came back to me. I had completely overlooked, in my ongoing curiosity and interest in the demise of public space, the public basketball court. It’s a place where (mostly) men of different races and ages can still cross boundaries of class, housing, and occupation, to pursue equality and acceptance through the controlled intensity of a no-holds-barred basketball game.

Or maybe they just want to kick some ass! That simple macho goal, which holds almost no interest for me anymore, nevertheless becomes an honorable way to connect, a way to earn and show respect, and I had frankly forgotten that. It was true in my youth, too, especially in the tortured and violent world of middle school physical education. I suffered my share of robbery and assault, but I staved off a great deal more by being something of a jock, a decent basketball and baseball player, and someone who could physically dish it out on a football line too, when I had to. I don’t know how many people sized me up through sports and then left me alone after that. Had I been wimpier, I think I’d have been more of a mark to even more of my schoolmates.

Anyway, basketball serves as a public, social arena in Winners. There is almost no sports talk per se, just how different lives intersect through the game on a public court. And, too, how distant and alienated the players mostly remain from one another. The disappearance of a young black guy who’d been a regular player for five years drives the plot. The things Shane learns about the guy, his family, his city, his own life, all unfold in that zany, inexplicable bubble that gripped the part of SF that was getting all the official attention back in 1998-2000. As such, it’s already a really good historical novel, because one of the hardest things to do is convey the texture of life at any given time. Martin has woven a tale that captures amazingly well what it actually felt like to live here during that time from the point of view of a “native” San Franciscan.

P.S. I’ll be appearing with Eric Martin on March 10, 7-8 p.m. at The Booksmith on Haight Street, and March 24, 7 p.m. at Vesuvio’s in North Beach.

All Sped Up!

Sorry to any regulars who are missing my posts. I am darn busy these days, suffering the normal plight of the modern urban guy who is wearing about 4 or 5 different hats. We’re painting on weekends at the new CounterPulse space (1310 Mission, and yes, we need volunteers and donations–hoo boy, do we ever!), after having an inspiring first-ever Community Introduction Night last Thursday. Friends are visiting from Brazil, had a lovely dinner party with old friends and new gathering to share some caipirinhas and Mona’s newly invented Leek-nigella risotto…
I felt pissed at good ol’ Jon Stewart and his Daily Show when they caved in so abjectly to the Iraqi election as a propaganda victory for Bush. Sheesh! Don’t they read anything?!? I guess they just watch tv. It should be obvious that there is no contradiction between a decent turnout in some parts of Iraq and a near-unanimous desire to expel the U.S. from that sorry place. People were voting as much to end the occupation as anything else. And it looks like they’ll end up with a Shia-dominated government that is committed to some kind of Islamic law… will the Negroponte death squads start assassinating the new government next month or the month after that?
I’m reading Jonathan Lethem’s Fortress of Solitude but will give a review later, plus about four other books. But my own writing is suffering. Haven’t been able to get undivided time to resume the writing on the next book. Transcribing interviews, writing short pieces for other magazines (Journal of Art & Protest, LiP, Capitalism Nature and Socialism–all maybe’s).
Anyway, I’m not suffering really, just kvetching. My life is weirdly good compared to the insanity of the world around me.