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Grounding by Rolling

Just can’t seem to get to blogging these days. But a few quick items to mention. Last Friday’s Critical Mass, falling after Thanksgiving weekend for a change, was a spirited good one, with a second consecutive month going down Lombard Street (!), a lot of high energy, and I was happy to be a part of it. Here’s a couple of shots of the ride after we had been all over downtown, Fisherman’s Wharf, North Beach, Russian Hill, both tunnels, and here we are buzzing through the xmas shoppers on Stockton Street.

Part of what made it such a gratifying ride was the reappearance of some cool xerocracy. I got flyered for three related activities: one to join in to the organizing for a direct action campaign against the war corresponding to the upcoming 5th anniversary in March (takedirectaction@riseup.net). Another to join a bicycle contingent to protest the xtian Right that is coming to SF again on Sat. Jan. 19 in their 4th annual “walk for life” wherein they bus in 10,000 fundies to taunt liberal San Francisco. More info here. And lastly there was an invite to a ride on Dec. 15 with artist Amber Hasselbring, who is trying to create a Mission Greenbelt, consisting of a continuous sidewalk garden from Dolores Park at 19th and Dolores to Franklin Square at 17th and Bryant. More info here.

Also, Mona Caron was in Sao Paolo, Brazil, for Critical Mass down there. Some lovely images of the ride and a small mural she painted during it are here. And the 17 km route through Sao Paolo is shown here.

My Thanksgiving was spent, as I have for the past 9 years, at Saratoga Springs with about 100 great friends. I’m not posting any of the dozens of photos that various friends took, nor did I make a video of semi-naked men dancing while doing dishes this year (you can still find that on Youtoob from last year though). But here’s a nice image of the box canyon in which all the fun happens, taken from the eastern ridge above the resort.

I am in the midst of an insanely busy period. Happily I’ll soon be finished with teaching at New College (especially since they bounced their last paycheck to me, and still owe me more than half of the measly $2400 I was supposed to be paid for this semester). Turns out that teaching takes a lot more time and thought than I really want to dedicate to that. I’m glad to have tried that experiment, but I don’t think I’ll be hurrying to get any further teaching gigs any time soon.

I’m aalllmooosst finished with Nowtopia. Hope to get that wrapped up and sent over to AK Press in a week or so. And I’m working on several overlapping aspects of Shaping San Francisco‘s big push into next year’s 10th anniversary–the wiki, the proposal to the future SF Museum, a fundraising campaign to finally get a small part-time paid staff in place to work on it (as well as maintaining the Talks, producing radio shows from them, giving bike tours), and…. there are TONS of items in the pipeline piled up over the past few years.

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Arts Ecology

Autumn is the time for endless conflicts over what to do and see. San Francisco is overrun with great shows and performances. I was blessed this past weekend with free tix to a couple of stellar shows, first Cirque de Soleil’s latest show, Kooza., and then last night at the SF Jazz Festival we caught a fantastic set by Brazil’s Caetano Veloso.

I’m actually not as wild about Cirque de Soleil as some folks are, but there’s no question that they’re a major step up from other circuses. I think it’s mainly attributable to the fact that they have so much money, relative to other performance groups. If you ever wanted to peer into the methodology of today’s “Arts Success,” Cirque de Soleil must be the best place to look. There are corporate sponsors names on every exit of their fancy hi-tech tent/stage. There is an incredible mini-mall of merchandise, from show-related schwag to well-designed, comfortable good looking clothing. There are music CDs, video DVDs, masks, puppets, bags, coffee mugs, kitchen goods, you name it. You can’t approach the actual tent for the performance without passing through the merch tent first.

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Precarious Urbanity, Linear History

Back in beautiful San Francisco, where it somehow turned back into summer while I was away. Balmy warm weather the past few days, yum! My week in New York was really interesting for lots of reasons, but one that has really stuck with me is the utter precariousness of the urban fabric. I was lugging my bags through the NYC subway, first the G line which looks like someone forgot it exists, then the L, which had a creek running down the middle of the tracks, and finally the A to JFK which was just my usual experience of the subway there. When I’m standing on a subway platform gazing at the crumbling iron beams or grimy track beds, especially with water dripping everywhere, I marvel that it all keeps going. Add to that the aging water system, the potholed roads, the overheated crappy buildings in the midst of too cold weather… it’s a wonder that the city doesn’t just collapse. Riding around NYC on bike, gazing from bridges at the endless sprawl of highrises and cityscape, there’s something mind-boggling and incomprehensible about all the human effort and just-barely-holding-on-ness that keeps the place running.

I’ve been reading Alan Weisman’s The World Without Us, which is a great book. He writes really well, breezily even, which is odd for a book that takes as its central pretense that all humans have vanished from one day to the next (rapture anyone?) and now he’s trying to see how nature and planetary ecology quickly or slowly recapture the artifacts and environments created by humans… from vast monumental architecture to centuries-old fields of cultivated crops, most of it goes really fast. He brings in a lot of good journalistic investigation, talking with scientists and technicians who know a lot about how things work and what it takes to keep it all going, from oil refineries and nuclear plants to agriculture and water systems. He also goes way back in geologic and paleolithic history to compare processes of succession at different periods with our own. From an historical point of view, this book is brilliant at reframing things in much longer terms…

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